"In the summer of 1992, I [Shelby Lee Adams] visited Berthie to ask her to sign a model release giving me permission to use her picture in my first book, Appalachian Portraits. Even though for years she had enjoyed my photographs and had them displayed in her home, she told me that signing papers was not good, and that it must be a bad book I was doing. I learned from members of the community that she was illiterate and was probably afraid because she had once signed a crooked deed and lost some land to a mining company.

I returned with a local minister known to the family; he read my request, and she reluctantly signed. When the book came out, Berthie was still convinced it would be no good. As she opened the book and looked through it for the first time, I photographed her and her family. She laughed and studied each picture at length. She loved seeing her husband’s pictures and talked about what a good time we all had when we made The Hog Killing. She told me she would keep this book for as long as she lived, together with the other good book she had, the Bible. She keeps personal photos and treasures locked in a trunk at the foot of her bed ‘so the boy’s won’t get ‘em and go sell ‘em,’ she said.”

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